Author Jonathan Lethem has a boner for the movie They Live (1988). So much so that he's just written a book about it. And this week he's hosting a screening of the film, followed by a conversation with John Hodgman.
It's curious that over 20 years after its release, this B-movie movie has gotten the attention of academic-types. They Live is an excellent combination of form and content: if you want to make a message-movie for blue-collar audiences (about how they're being systematically screwed) make a sci-fi action movie starring a professional wrestler. But if you attend Lethem's screening at the Greenwich Village IFC theater, do you expect the audience to be made up of "haves" or "have-nots"?
John Carpenter's They Live has something in common with George Romero's Dawn of the Dead (1978): both feature bit characters that reflect the bearded Lefty intellectuals (they're not wearing leather-elbow patches, but they might as well be.) In both cases, these talky apparitions appear mostly in TV screens (as if they exist inside the television and not in the same world as the characters, the same way some would criticize academics who live inside the Ivory Tower.) Their ideological ramblings are fragmented throughout each film. In They Live, a character listed as "bearded man" hacks into network television signals and gives a direct-address about how "They" have created a repressive society that's turning "us" into livestock (watch a clip here, from 2:01 - 3:55) Dawn of the Dead's nameless, bearded "TV Commentator" insists on the need for logical behavior, and then calls the studio audience "dummies!" (watch a clip here)
