At last week's KEVIN GEEKS OUT ABOUT MONKEYS we shared a popular story of how in the late 1950's DC Comics Editor Julius Schwartz discovered that gorillas-on-covers = SALES. Eventually all the comic editors wanted apes on the cover. But Schwartz didn't want to kill the goose (or gorilla) that laid the golden egg; he said only one gorilla cover each month. Since then, gorillas have been a staple of comic artwork. Below are some of those covers. (Story continues after the jump.)
NOTE: Just before the show began, I was rehearsing with M. Sweeney Lawless, who did this segment with me. Some guy saw the color copies and introduced himself as a DC Comics editor. (weird, right?) We asked, "Is gorillas-on-covers true or an urban myth?" He said "It's true. Gorillas sell." There you have it.
Kevin Maher and co-host Matthew Glasson look at the history of JAWS rip-offs, from the Golden Age of Shark Cinema, the Silver Age of Sanctioned Sequels and the Bronze Age of Documentaries and CGI Sharks. Plus the adult-movie inspired by JAWS, the National Lampoon parody that never was (with a script by John Hughes), and incredible shark scenes with zombies, superheroes, Jackie Chan, Burt Reynolds, Samuel L. Jackson, the Olsen Twins and the Harlem Globetrotters.
Special guest Karen Sneider (The New Yorker) shares a shark comic strip.
Comedian Ritch Duncan addresses a plot hole in the JAWS quadrilogy.
And Sara Reiss will serve Shark Cupcakes.
This show WILL sell-out. Buy tickets in advance here.
Each month I host a theme night at the 92Y Tribeca in New York City, the show is called KEVIN GEEKS OUT.
January's sold-out show celebrated the year 2010 with a collection of speculative visions of tomorrow. (In honor of this occasion, I dressed as Orson Welles when he hosted the sensationalist Nostradamus documentary: The Man Who Saw Tomorrow, more on that later...) We started off with a grab-bag of video footage from a variety of films (and TV shows) that showcased: a police state that enforced mandatory dancing (The Apple), a fully-realized 3-D chess game aboard a spaceship (Futureworld), the most popular cable channel of the 22nd century (Idiocracy), and a time-travelling spaceman who taught the people of the future all about funk (Buck Rogers).
After that KGO super-producer Jay Stern shared an edited-down video of the 1930 talkie JUST IMAGINE. This science-fiction musical showed what life would be like 50 years in the future. (Warning: The film features lots of prohabition jokes.)
Daily Show writer Elliott Kalan shared a photo-essay on the 1939 World's Fair. Elliott featured surprising details and photos of the world's largest cash register -- but he also got at the heart of the World's Fair's sorrow. (Elliott's piece will be making its way to the internet soon.)
Continuing with the 1930's promise of tomorrow, KGO Super-producer M. Sweeney Lawless gave us the ultimate profile of ELEKTRO the Moto-Man.
Elektro was the star-attraction of the '39 Fair, but after the Fair ran out of money and shut down, Elektro became the world's first has-been robot.
We moved onto the 1950's with the promise of exciting advances in automobiles, highways, homes and luxury devices. Special thanks to Matt Novak (editor of the incredible Paleofuture.com) for suggesting some of these clips...
Continuing with the march of progress, we featured a slide-show by Seth Porges (technology editor for Popular Mechanics.) Seth shared some of the more outrageous predictions made by his employer over the years. (Video of this presentation will be coming soon to an internet near you.)
After that we welcomed a very special guest to the show: Psychic Jane Doherty.
Before the show started, we asked audience members to submit questions about life in the future, and Jane would tell us what we could expect. The segment revealed that we would see a woman president in the United States, a vegetarian fast-food chain will be established by 2015 (it will start in New York or California), within this decade a lot of questions will be answered about finding a cure for cancer (we will find a cure!) And finally, Jane answered a question about whether there's any truth to the prophecy that 2012 will bring the end of the world. Jane has communicated with Mayan Elders and explained that they do not believe 2012 is the end, rather there will be a shift in consciousness.
We turned our attention to another psychic, the infamous Nostradamus. Sure there are dozens of Nostradamus shows on the History channel, but none of those specials could be more distrurbing and over-the-top than the documentary The Man Who Saw Tomorrow. This 1981 movie was hosted by Orson Welles, not only did it include re-enactments of past events, but dramatizations of things that hadn't happened yet. Needless to say this movie freaked me out as a kid:
After that traumatic bit of video, we needed a snack break! Each month we provide a thematic treat, and what could be better than a heaping helping of DIPPIN' DOTS -- the ice cream of the future! The good people of Dippin' Dots donated enough cryogenically frozen ice cream for each and every member of our audience. Thanks again Dippin' Dots gang!
Moving into more recent visions of the future, I looked at five futures predicted by Saturday Morning Cartoons, including Thundarr the Barbarian, The Partridge Family 2200 A.D. and the worst Bugs Bunny cartoon I've ever seen.
At this point we delved into the darker possibilities of tomorrow. The amazing Kriota Wilberg (aka The Cinematologist) addressed the topic of Mutants in the future. Kriota dealt with the overthrow of the human population, viral vampirism, genetic engineering, hypertrichosis (aka Wolfman disease) and more! I cannot do justice to her dizzying analysis of mutation, so instead here's a photo of a Martian prostitute with multiple breasts: (below)
Note: during the show we re-visited this slide, observing that the image, which had been pulled from the internet, was stamped by a someone calling himself "Sauron_2000"(!)
Our penultimate guest was a favorite, Tenebrous Kate, who edited together this very special video about lessons learned from the 1982 Italian post-nuke favorite The New Barbarians (aka Warriors of the Wasteland). Watch and learn: Our final guest was the first person we thought to book for this event: Scott Christian Carr, a writer/filmmaker/and author of post-apocalyptic fiction.
Scott started his segment by asking the audience a thought-provoking question "If you survive the end of the world, who do you want by your side?" Scott answered that the one person you'd want more than anyone is your brother -- and then he shared a scene from his original film The Nuke Brothers. (CLIP COMING SOON.)
Following a brief Q&A about his movie, we watched a montage Scott edited (with his brother Jeremy) looking at the theme of "Loneliness in the Future". (CLIP COMING SOON)
Oh, it was a splendid evening of oddball entertainment, super-cold ice cream, and fantastical futures. What's in store for the future of Kevin Geeks Out? Here's the trailer for February's event, KEVIN GEEKS OUT ABOUT MONKEYS. (Click here for tickets)
note: all photos (except for the Dippin' Dots) by Matthew Glasson. Additional artwork courtesy of Sauron_2000
KEVIN GEEKS OUT ABOUT MONKEYS Friday, February 19th @ 8pm 92 Y Tribeca 200 Hudson Street New York City Get tickets (no service charge!) and find more details here.
At the last KEVIN GEEKS OUT, I spoke on the topic of Saturday Morning Cartoon Visions of the Future. Here's a recap, with links...
The first example people think of is THE JETSONS. But remember, the 1962 cartoon appeared on ABC as a prime-time sitcom. What's more it was a sort-of spin-off of The Flintstones. (Jetsons: Flintsones as Green Acres: Beverly Hillbillies.) The show was set exactly 100 years in the future -- 2062 A.D.
In 1974 Hanna-Barbera ripped-themselves off by making THE PARTRIDGE FAMILY 2200 A.D. This cartoon was made 12 years after the Jetsons premiere, but it was set 40 years later than the Jetsons. It follows the same basics of flying cars, elevated cities, automated kitchens. And instead of a dog for comic-relief, there's a ROBO-dog.
The cartoon came hot on the heels of the live-action Partridge Family. Just after that show was cancelled, this appeared on the Saturday morning line-up.
The cartoon borrowed songs and storylines from the live-action series -- except it was set IN THE FUTURE. And there were some outer-space aliens, who enjoyed the kid-friendly bubblegum sound of the folk-rock family. Also, there's never any explanation about how or why the family is in the future. No time-warp, wormhole or other plot device. These are not the descendants or great-great-grandchildren of the original family. You just gotta go with it, dude.
Shirley Jones and David Cassidy bowed out, but a CBS press release boasts "the kids are the same -- with voices of most of the original cast -- and there will be new friends to join in the fun of the future." The Band's manager was originally voiced by Daven Madden (TV's original Rueben Kincaid) but was replaced by John Stephenson, a go-to voice-actor for Hanna-Barbera. And the robot-dog Orbit was performed by (who else?) Frank Welker.
Next is my favorite of the bunch: THUNDARR THE BARBARIAN (1980). Man, I loved this show -- so much so that I refuse to re-watch the series and learn how horrible it probably is. (Please, let me enjoy the false memories.) It's been said that Thundarr was ripping-off Star Wars and Conan the Barbarian. But watching the opening credits, I'm reminded of that hint of melancholy that exists in post-apocalyptic fiction. No matter how well a particular adventure goes, they are still living in a nuclear wasteland. It's strangely romantic, right?
Thundarr was created by Steve Gerber, who wasn't some TV guy but a comic-book writer. That's part of the reason the series has a distinct look and feel that's different from the stuff churned out by Hanna-Barbera. It was a Ruby Spears production; they made shows like Wonderbug, Plastic-Man, Fangface and a host of other hits. Marvel Comics' legendary Jack Kirby designed the backgrounds and the destroyed cities, as well as some of the bit characters. The series is set in the year 3994, but it predicts the end of modern civilization in 1994. Thundarr ended after only two seasons and was replace with an entirely different animated sensibility: THE MORK & MINDY/ LAVERNE & SHIRLEY/ FONZ HOUR. (I guess ABC was inspired by CBS's idea to turn long-running live-action shows into cartoons.)
In a nutshell: Mork was a faithful adaptation, but it had him in school and added an egg-car and a space-dog. Laverne and Shirley had the girls join the Army with a drill sergeant who was a pig (literally!) and voiced by Horshack from Welcome Back, Kotter.
But I'm going to focus on the Fonz portion of the show, since that one deals with the future. First off, the premise is that Fonz, Ritchie, Ralph Malph (and Fonzie's dog Mr. Cool) join a future chick named Cupcake and ride in her spaceship, which is also a time-machine. We know this is true to the Happy Days universe, because in the fifth season (post-shark-jump) Mork from Ork visited the Fonz. So we know that aliens and UFOs were around in 1957 Milwaulkie, and they were capable of traveling into the future and Boulder Colorado.) [Also, I wonder if this is where Repo Man took the idea that flying saucers are time machines?]
Many of the Fonz and the Happy Days Gang episodes are comically set in the past. But one episode, titled "May the Farce Be With You" takes them to the year 2057 for a Star Wars spoof. This is ironic for two reasons: first, all the Star Wars references are wasted on the 50's kids who won't see the movie for another 20 years. Second, Star Wars was set in the past, not the future. (Tangent: I wonder if Ron Howard and George Lucas talked about this connection when they collaborated on Willow. Or did Lucas just razz Ron about making a fortune on a sitcom that ripped-off American Graffiti?)
Sadly, the Happy Days U.F.O. never brought Fonz and friends into the year 3994. Too bad, it would've been a great cross-over with Thundarr. Can you imagine a better comic duo than Ralph Malph and Ookla the Moc? I cannot.
Next: true story from a pitch meeting. I was invited to re-invent an old show from the vaults of Classic Media. They own some beloved properties including Lassie, Gumby, Felix the Cat, George of the Jungle, the list goes on and on. I was given the chance to pick a property and come up with a brand new take for a TV series.
I chose a personal favorite that was in desperate need of a make-over: The Lone Ranger. my pitch, titled LONE RANGER: 2056 took the masked man out of the Old West and put him in a new frontier: the post-apocalyptic wasteland. The same way The Road Warrior is a re-telling of Stagecoach, my Lone Ranger followed a single man fighting for justice in the shattered cities of America. Instead of a white horse, he'd ride a silver harley. Instead of Injuns, there'd be Mutants. And instead of train-robbers, there'd be a corrupt would-be government threatening to foil the vigilante hero. The backdrop was new, but it still provided dramatic obstacles for the Ranger to uphold his creed (which takes on new meanings when applied to a post-apocalyptic wasteland.)
My pitch was not well-received. The guy I met with said that it would be irresponsible to set a children's show in a post-nuclear setting. You can't do that. (Sure you can --Thundarr the Barbarian.) He also said you can never have a children's show where the government is portrayed as the bad guy. (Sure you can -- Boss Hogg!)
I later learned that a successful re-imagining was to take a character like Richie Rich, but make a new show where he's black. You only had the freedom to recreate a lesser-known character in their library (like Commander McBragg or Tennesee Tuxedo). But the company would never pay money to bring back a lesser-known character. The lesson was: do not screw with beloved classics and put them in a bizarre new environment.
Which bring us to our final cartoon vision of the future. Do you recognize this rabbit? If you said Bugs Bunny, you're close. It's Ace Bunny, a descendent of the famous Looney Tunes rabbit. He was the star of LOONATICS UNLEASHED, a KIDS WB series that imagined the classic characters as Matrix-style super-heroes in the year 2772 A.D. The series ran from 2005 - 2007. Daffy Duck was now Danger Duck. Wile E. Coyote became Tech E. Coyote. And Tasmanian Devil was Slam Tasmanian. They teamed up to fight crime in the futuristic city of Acme-tropolis. But don't worry, even though they run around with samurai swords and jet-packs, they still possess the vaudeville-like wit and humor that made their ancestors famous.
(Ace Bunny is voiced by Charlie Schlatter, who is doing a Bugs Bunny impression. Fun Fact: Schlatter started his career doing a George Burns impression in the body-switching comedy 18 Again!)
Before the first episode ever aired an 11-year-old kid in Oklahoma started an online petition asking Warner Brothers to not make the show. In two months there were over 80,000 signatures from around the world, urging Warner Brothers to kill the cartoon. But a WB Spokesman said they "just wanted to create something that would be accessible and fun to a new generation of kids." In his defense, they had already turned the characters into babies, so a something new was needed.
BONUS LINKS:
Watch an episode of Partridge Family 2200 A.D.in Spanish.
From the great reeking dumps rose Corona Park, site of the 1939's World's Fair and home – briefly – to “the world’s first celebrity robot,” Elektro. “Elektro the Moto-Man” began life as one of several different automatons built by the Westinghouse Electric Corporation in its Mansfield, Ohio laboratory.
Elektro could do no useful household chores or protect our nation in time of war, but no one had seen a real-life robot before – let alone a gleaming gold-painted gizmo in human form – and he became the star of the 1939 World’s Fair.
Though each robot reputedly cost Westinghouse hundreds of thousands of dollars, their feats of wonder were limited by a rudimentary technology. Elektro’s "accomplishments" included walking, talking, and smoking, i.e. rolling forward slowly, moving his head, jaw, and arms via the action of ordinary motors and chains, playing a 78-rpm record, and using bellows inside his head to puff a cigarette placed in his mouth by an assistant.
I’m going to go out on a limb and declare PAUL NASCHY the most significant Werewolf death of the decade.
Naschy was the best werewolf you’ve never heard of. Or maybe you heard of him after he died. Or maybe you’re reading this in Venezuela and you’ve seen most of his films.
In addition to playing the wolf, he’s portrayed Dracula, Frankenstein’s Monster, the Mummy, Quasimodo and Phantom of the Opera. He’s been called the Spanish Lon Chaney, but the fact that he never gained recognition in America makes him the Spanish David Beckham.
Born Jacinto Molina, he changed his name and became an international matinee star. His most famous role was Count Waldemar Daninsky, he appeared in 13 different movies as Waldemar. These sensual European films are unlike American horror counterparts. Sure, they’re schlocky, but they offer a Gothic aesthetic with Aristocracy and ancient castles, the kind you can’t find in the States. Nacshy’s tormented wolfman staggers around the moonlit cities, prowling through the fog in a pillowy white shirt. (NOTE: Much of this obituary first appeared in KEVIN GEEKS OUT ABOUT WEREWOLVES, with this video clip playing while Kevin read it aloud.)
When Count Waldemar is in his dormant state, he’s often brooding. And usually at the mercy of women. Vampire Women. Scientist women. Evil, icy-but-gorgeous women. The films typically contain multiple sex scenes with Waldemar being seduced by 2 or more ladies. They sexually torture him, which often results in turning him into the werewolf. Lycanthropy aside, these are some very unsexy sex scenes.
What’s most interesting about Naschy’s filmography is that even though he’s playing the same part, the movies do not piece together as sequels. Often his character is killed at the end of the film. But then he’s back in the next movie, alive with no explanation. Continuity is thrown out. Stranger still is the fact that Naschy wrote many of these films.
According to Naschy's Autobiography (Memoirs of a Wolfman) director Jose Zabalza was a notorious alcoholic who would instruct his 14-year-old nephew to take over directing the films when he was incapacitated. So yes, these films were made by a 14-year-old. But that only accounts for sloppy continuity within a single film, not the body of work.
The first was in 1968’s NIGHTS OF THE WOLFMAN, a movie that has curiously disappeared (some argue the film was never even finished. But let’s give him credit, he’s dead and 13 is a nice spooky number.) The last time he played the role was in 2004, in a direct-to-DVD release titled TOMB OF THE WEREWOLF – a rehash of the older movies, but this one featured girl-on-girl action.
The other films demand mention (if not an actual viewing) FURY OF THE WOLFMAN, DR. JECKYLL AND THE WOLFMAN, RETURN OF THE WOLFMAN, THE WOLFMAN OF COUNT DRACULA, THE WEREWOLF AND THE MAGIC SWORD (one of the first Spanish-Japanese co-productions.)
Over the course of these films you get a lot of brooding, a lot of dull sex, and plenty of scenes where Naschy’s werewolf is chained to a dungeon wall – only to break free. No matter how many times this happens, people keep chaining him to the wall thinking “this time, it’s gonna work!”)
Naschy also wrote a series of graphic novels about Waldemar Daninsky, simply titled WOLFMAN. It won an award for Best Spanish Comic Book (beating out Condorito!)
Do yourself a favor and visit Naschy's Art websiteand view the gallery of original paintings, with titles like Zombie Samurai, The Conversion of Erika and Embrace of the Devil. This may be the best way we can remember the artist – looking at his oil paintings with the site’s music turned on.
My favorite Naschy film (if I had to pick just one) remains 1975’s THE WEREWOLF AND THE YETI. Hopefully, Naschy’s death will inspire a wide-release of this hard to find film, where Waldemar battles the Sasquatch (after 70 minutes of wandering around a mountain and being sexually tortured by lesbian mountain-climbers.) SPOILER: The film has a happy ending, as the Wolfman is able to find a cure for his curse, a mountain flower (this plot-point suggests the Naschy knew his film history, the rare “marifasa” flower was the only known cure for lycanthropy in 1935’s WEREWOLF OF LONDON.)
For better or worse Naschy paved the way for generations of low-budget monster movies. There will never be another Paul Naschy, but we have his dozens of movies, which you should see one of, because like so many auteurs of foreign films, you should be able to say you’ve seen one.
Well friends, it's hard to believe the 00's are coming to a close. But one things for sure - it's been an awesome decade for movie-lovers like me. It was no easy task, but here's my round-up of the most best movies that came out in the last 10 years.
10. Drag Me to Hell Sam Raimi's still got it!
9. District 9 I hope they make a sequel.
8. The Hangover Funniest movie of the decade!
7. Up What can I say, I love Pixar
6. Spartacus I rented this in October of this year, so it counts.
5. Terminator: Salvation The best Sci-Fi of the decade
4. It's Complicated A movie for the whole family to see on Christmas weekend.
3. New Moon A howling good time.
2. Sherlock Holmes So. Damn. Good.
1. Avatar Hells yeah.
Did you get it? This list was written by one of those dumb guys who has no real memory and can just barely recall the films he's seen recently. And whenever he walks out of a movie theater, he thinks "that was the best movie I've ever seen." So if one of these chuckleheads were to write a list like this, it would be absurd.
As for my best picks of the decade -- I have 2 kids. I don't get to go to the movies. If I see a movie it's a kid video we'll watch over and over. Sorry list-lovers. Though I did rent "Coming Home", it was excellent.
This Friday she's creating a SURPRISE CUPCAKE as part of KEVIN GEEKS OUT: the Holiday Grab Bag Show. Come by and get a mystery dessert. (Even *I* don't know what it is. Will it be ninjas? U.F.O.s? Zombies? Veteran character actor Ned Beatty? Come to the show and find out.) Buy advanced tickets HERE.
Tonight a friend of mine invited me to one of the Brooklyn Academy of Music's screenings of early-Muppets TV clips. The show is like the event I host each month, so it was a perfect fit. Before the screening, the host brought out some prizes and asked trivia questions. I don't know about you but this stuff always makes me nervous. Irrational panic washes over me. Possibly because I take the trivia too seriously. I could care less about the prizes, I just want to be right. It's a character flaw. I get that.
Thing is, these questions were easy. And the audience was made up of hardcore Muppet fans. (Maybe you know the type.)
Between questions I started rummaging through my brain, digging up the most obscure Muppet facts I could think of. The best I could come up with is Guy Smiley's real name.
I became even more interested when a great prize came out: a lithograph of Super-Grover illustrated by comic-artist Alex Ross. I knew my kids would love this poster, so I decided I'd try to answer the question - whatever it was.
The Host asked "According to Sesame Street -- who is everybody's favorite game show host?"
My hand shot up. I was called on.
"Me?" I had to make sure.
"Yes," the host replied.
"Bernie Liedekratz," I answered with a huge, idiotic grin. A confused silence filled the air.
I added, "Also known by his stage name, Guy Smiley."
The crowd (full of hardcore Muppet fans) was audibly impressed. But really, it was not like cool impressive. I probably came off as one of those people with way too much time on their hands. (note: When I was given the prize, the host said, "The poster goes to the guy with way too much time on his hands.")
If you're anything like me, you remember all kinds of odds and ends of dialogue, fun facts, punchlines, household hints, the Skipper's real name**, etc. In my case, I once saw the sketch where The Count meets Guy Smiley and they have this exchange.
THE COUNT: They call me the Count -- because I love to Count.
GUY SMILEY: And they call me Guy Smiley -- because I changed my name from Bernie Leidekratz.
It's a good bit. The gag stuck with me, because it's a pretty subversive for a kids' show.
But by going too far and showboating my warehouse of useless knowledge I looked like some Muppet maniac who should not be allowed 200 feet of Gordon. I mean, sure, I love the Muppets. But I'm into all kinds of stuff -- 1950's existential pulp crime novels, shark attack movies, 70's L.A. punk music, carny culture, pre-Star Wars futuristic science-fiction from the 1970s, alcoholism, William Steig's early work, the Industrial Workers of the World, the Phantasm quadrilogy, phenomenology, The Incredible Hulk, Viet Nam, boxing novels, Tex Avery cartoons, chicken & waffles, George Orwell, Billy Jack, list-making, dance marathons during the Depression, the art of Joe Coleman, live-teleplays of the 1950's, cult musicals, the list goes on and on.
Honestly, how many of us can easily quote Bob Dylan lyrics, commercial slogans, the off-hand remarks of our 7th grade math teacher? Maybe years of not drinking has cursed me with too much of a memory, so I'm a hoarder of mental clutter. (If only I could free up some of that information to remember my Dad's birthday.)
Well, I won a cool poster, which I'll give to my kids of Christmas. And all it took was me coming off like a bigger loser than I actually am.
November's installment of Kevin Geeks Out was a one-of-a-kind show, thanks to the driving force of our co-hosts’ obsession and enthusiasum. Howard S. Berger and Kevin Marr brought their A-game -- and over 50 clips from movies in every genre, covering 100 years of cinema from the first filmed Dummy Death (1903’s The Great Train Robbery) to a modern death scene with the most expensive dummies ever killed (2007’s Death Proof) Howard and Kevin run an excellent website solely devoted to this topic. (It’s much more fascinating than you might expect. Reading their essays is like hearing JFK conspiracy theories, after a while you get caught up in it.) NOTE: I hosted the show dressed as the TV Commentator from Dawn of the Dead. There’s a great scene where he calls everyone “dummies”. (I didn’t expect people to know, so I showed the clip.)
The show’s guest speakers were full of great stories. Actor Matt Mitler(who previously delighted the crowd at KGO: Werewolves with footage of his Werewolf transformation in Deadtime Stories) showed some dummy death footage from The Mutilator. (Matt presented me with a poster from the film, see photo) Actor Kevin Scullin (who’d previously delighted the crowd playing opposite Vincent Price in a scene from The Imporance of Being Ernest, using the LP "Co-Star with Vincent Price) talked about being replaced by a dummy during his death scene in Dead Mate. Then Howard and Kevin continued the parade of Dummy Deaths, showing some dazzling clips from On The Waterfront, Warriors of the Wasteland, Rollercoaster, Catch-22, Death Wish 4 and a hilarious industrial training film titled Will You Be here Tomorrow? While the film’s intended message is “practice safety on the factory floor” the real message is “stay in school, kids!” Later, KGO producer Jay Stern looked at Religious symbolism in 1928’s Joan of Arc, comparing the religious statues of the Catholic Church to the dummy immolation at the stake. We also looked at how the use of Dummy Deaths in the Monkees’ HEAD works as a critique of the false, manufactured band. And then we saw a robot blow-up a chick’s head in Chopping Malll. Always a crowd pleaser.
Soon it was time for a cupcake break. Lisa Beebe’s dummy death cupcakes were a big hit. Each cupcake featured a dead body, which could be a person, an animal, or sometimes just a decapitated head. (This cool food blog reviewed the show - and raved about the cupcakes.) What I loved about this dessert is that it’s interactive, each person could make-up the backstory of how the dummy died – whether they were thrown from the roof of a cut in half by an airplane propellor. During our break, we called our super-special guest, a living legend in the world of dummy deaths – TOM SAVINI! Little did Tom know that I was dressed as a character from Dawn of the Dead. I should’ve mentioned that.
** In this clip, I started to mention Savini's ringtone, but then I got distracted and never revealed what it is. Now, for the first time anywhere, it can be told: bullfrogs croaking. True story.
Next up, Director Matthew Glasson talked about the secrets of crafting a dummy death scene. He showed one of the most creative dummy deaths of the night by showing a clip from his short The Family Tie. After we watched he broke down the special effects process, talking about the set-backs and success of low-budget dummy-making. When asked about his influences in dummy deaths, Matthew showed a clip from Fulci’s Don’t Torture a Duckling, which led to another discussion of the religious implications of dummy deaths. I can’t paraphrase it properly, but it explored Gnosticism and the spark of life, and other smart-talk. Then it was back to the slaughter, as we watched even more explosive dummy deaths from Raiders of the Lost Ark, Scanners, The Fury, Deadly Friend, Texas Chainsaw Massacre, Bad Taste (Peter Jackson’s first film) and Maniac. Of course before the audience could leave, we showed a teaser for the December edition of KEVIN GEEKS OUT, it’s going to be our HOLIDAY GRAB BAG featuring 8 guest speakers, surprise clips, mystery cupcakes, holiday gifts and a tribute to Santa. Click HERE to buy tickets for the December 18th show.
